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Post by ceebee on Jul 7, 2024 20:50:45 GMT
Greaseball and Blue Lightning were in the pile-up and took ankle injuries and the in-house physio advised replacing with swings. I'm not sure how common it is to have a physio attached to a show but was very impressed when the Company Manager mentioned them in the extended interval. Reassuring that actor welfare is being prioritised. Almost every musical has a physio, certainly any with major choreography Thanks, I didn't know that!
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Post by 141920grm on Jul 7, 2024 21:44:00 GMT
show stop tonight where the ramps refused to slide fully closed after AC/DC- changes were made to act 2 ditching that entry/exit altogether and made for fun 'guess which side they're going to come out' moments at bows
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3,351 posts
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Post by Dr Tom on Jul 7, 2024 21:51:23 GMT
show stop tonight where the ramps refused to slide fully closed after AC/DC- changes were made to act 2 ditching that entry/exit altogether and made for fun 'guess which side they're going to come out' moments at bows I know I’m easily amused, but it’s just so funny that happened when AC/DC were performing down the road!
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Post by 141920grm on Jul 7, 2024 21:57:53 GMT
show stop tonight where the ramps refused to slide fully closed after AC/DC- changes were made to act 2 ditching that entry/exit altogether and made for fun 'guess which side they're going to come out' moments at bows I know I’m easily amused, but it’s just so funny that happened when AC/DC were performing down the road! all the AC/DC signage out there? for the Electra fans
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Post by 141920grm on Jul 7, 2024 22:08:03 GMT
IMO couldn’t act, and a very weak voice. Also couldn’t buy him fancying Pearl (if you know what I mean…!) I thought Jeevan was very endearing, his acting warm and sincere, and his singing had a beautiful resonance... I'm thanking the casting people! As for him fancying Pearl- I totally bought his and Kayna's interpretation of 1) a child's imagination 2) of toy trains 3) coming alive 4) and falling in love- especially since the 'child's dream' aspect is emphasised in this production.
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Post by showtoones on Jul 7, 2024 23:54:28 GMT
Yes, he was very good. Bonkers show, well staged with no end of ear worms. Really enjoyed it. (Didn’t enjoy it running a good 25 minutes longer than advertised though.) How long is the show actually?
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Post by danb on Jul 8, 2024 6:00:06 GMT
Was about 2:20 when we went.
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Post by marob on Jul 8, 2024 6:21:47 GMT
showtoones Advertised as 1PM start and running 2 hours including interval. Interval started about 2.10, which made me think a half hour second act seemed unusually short, especially as FOH mentioned a megamix at the end, so asked an usher what time it finished and she said about 3.00. Was about 3.25 by I was leaving the theatre. Wouldn’t normally be that bothered but it’s only the second time I’ve been to Wembley Park Theatre and both times they took much longer than should have. (First was Newsies starting at least half an hour late.) Originally planned on getting a train back home from Euston at 4PM, but the upside was that I got one an hour later that was practically empty.
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Post by Dr Tom on Jul 8, 2024 6:46:53 GMT
Yes, the running time has been pretty consistent from the start for this, so I’ve no idea why they’re still advertising it as 2 hours. Frankly, I’d be disappointed if I’d paid the full seat price and it was only a 2 hour show. I can see how this might cause problems for pre-paid parking, travel arrangements etc, especially on days where Wembley has major events so everything else is already delayed.
A hint for anyone who doesn’t know. When you leave the theatre, turn right and right again to reach Wembley Park tube. You end up at the side entrance. It is quicker (and quieter) than going the more obvious route to the busy main strip. Walk past the tube another two minutes and turn right and there’s a handy big Asda (and for my friend who reads this and loves the reduced price food stickers - the end of the Sunday matinee is timed perfectly for these).
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Post by Jon on Jul 8, 2024 10:17:46 GMT
It's more like 2 hours 20 minutes to 2 hours 25 minutes.
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Post by blamerobots on Jul 8, 2024 14:33:49 GMT
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5,189 posts
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Post by Being Alive on Jul 8, 2024 14:50:59 GMT
excuse me whilst I die of embarrassment
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Post by mattnyc on Jul 8, 2024 15:40:55 GMT
Was Imelda too busy to lead a parade out front?
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5,189 posts
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Post by Being Alive on Jul 8, 2024 16:06:52 GMT
Was Imelda too busy to lead a parade out front? Like, send Michael Sheen or something for god sake.
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Post by BVM on Jul 9, 2024 9:54:29 GMT
I mean - people may scoff (they did in 1984) - but having someone from a musical that ran 18 years in the West End and as of today looks like the best selling musical in town doesn't seem that unreasonable....
And it looks bonkers so as a stunt to gain attention probably does the job?!
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362 posts
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Post by JJShaw on Jul 12, 2024 14:31:23 GMT
Saw the show yesterday from Platform 1 row H which I think could be the best view of the show.
It's just fun and silly with a little futuristic 'edge'. Love all the branding and logos for all the trains, they should sell enamel pins with the little logos.
Its funny that everytime a new production comes up it will be different, I think this version is very easy to follow but almost a little too easy, there's much else going on and the few soap opera character moments that do happen seemingly come out of nowhere. Loved the idea that with the use of lighting Electra seemingly hypnotises/brainwashes Pearl and co. makes it more feesable that they would ride with him (although Pearl really does kind of suck towards Rusty...!)
I like Hydra he had such a defined character and personality, I liked Slick but it is funny that all of a sudden money comes into this world (again no point thinking too much on it!)
I hope this wins for costume and lighting as they were really cool and fun. The skating was great but this does feel a little like Starlight Express for the H&S generation it wasn't too thrilling but if I have to sacrifice that for the safety and longevity of the actors then so be it.
The gender fluidity of the casting is a nice idea but sort of dilutes the relationships a bit but everyone was really good, its just fun and i hope it has a nice healthy run here.
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Post by 141920grm on Jul 12, 2024 14:53:22 GMT
they should sell enamel pins with the little logos. big agree only heterosexual trains for you when booking on trainline then?
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Post by fungus on Jul 12, 2024 17:42:45 GMT
Anyone have insight into the back row of the first class carriages? (row EE of the central segments with no rake)
This is what I booked on the first day of the sale when they were advertised as moving seats, and I didn't realise there would be no rake. Our group has children between the age of 4 and 12 - will it be a terrible view for them?
When I first saw Starlight as a child, I was in the front stalls at the Apollo and loved being so close up to the cast. So i booked with that in mind. I'm really dithering as to whether the seats we have could be really fun, close to the action and a great place for high fives etc... or whether we should move further back. Would be awful to spend that much money for the kids not to be able to see.
Looks like we could potentially move to the first row of the locomotives (row k - does the bar make these seats a bad view for kids?) or the middle rows of platform 1). Any insight from people who've already been to see it would be really helpful!
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Post by marob on Jul 12, 2024 18:14:53 GMT
I sat in row EE, centre right block as you look at the stage. It was a fun experience having them whizz past you, but to be honest younger children would struggle to see. The mum of the family I was sitting next to swapped seats with her little girl for that reason.
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Post by Dr Tom on Jul 12, 2024 21:12:53 GMT
EE really won’t be a good view for the children. You’re also not at angle where high fives are possible (and too low down). You might get lucky but the people in front are almost certain to be adults (there are surprisingly full children). I’d sit slightly further back if you can (or in the two side first class carriages, as those are raked).
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Post by daniel on Jul 12, 2024 21:42:56 GMT
There is a very slight rake in the First Class carriages. The floor is sloped. Not massively, but it’s probably comparable to a shallow stalls at some theatres.
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Post by fungus on Jul 13, 2024 8:54:36 GMT
Thanks for the replies. Problem is availability of 6 tickets for a matinee any time soon.
Judging from our options to move seats, which would you pick for kids? 1. The front row of platform section. 2. The front row of locomotives (row k - anyone know how high that wall in front is? Looks like it could be restrictive for little ones) or 3. The middle rows of the platform section.
Thanks for the help! Lack of interactive seating plan and not much info yet on view from my seat is really stumping me here.
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Post by Joseph Buquet on Jul 13, 2024 9:21:20 GMT
I was in EE21. There was a young girl next to me (I’m guessing aged about 7) who had difficulty seeing, so was given a booster seat, which seemed to help. There were only adults in the row in front, and their heads blocked some bits, but it was generally ok for me - especially as the action is happening all around (obviously there’s quite a bit of skating immediately behind you, if you turn your head round). Personally, I found it a really immersive place to sit. But I can see that children may struggle to see some areas of the stage, especially if you’re unlucky with who is sitting in front.
In terms of high fives at the end, there were definitely more with the main block of seating, but there were certainly some with the back row of the first class carriages, too.
As a side note, I really don’t understand the pricing of the first class carriages - the front row is cheapest, followed by rows 2 and 5, followed by rows 3 and 4. I would’ve thought that the front row would have the clearest view of the main stage, and row 5 has the advantage of having skating directly behind you. Rows 3 and 4 would be my last choices, so I have no idea why they’re the most expensive.
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Post by alison on Jul 14, 2024 16:19:52 GMT
Thanks for the replies. Problem is availability of 6 tickets for a matinee any time soon. Judging from our options to move seats, which would you pick for kids? 1. The front row of platform section. 2. The front row of locomotives (row k - anyone know how high that wall in front is? Looks like it could be restrictive for little ones) or 3. The middle rows of the platform section. Thanks for the help! Lack of interactive seating plan and not much info yet on view from my seat is really stumping me here. I sat row K in the first week, I was worried about the wall when I first saw pictures but it was really not an issue. I'm obviously an adult not a small child, but I am a short one and usually fairly similar in height to a small child with a booster seat. I think with booster seats you'd be good in row K - and it's a good place for high fives at the end.
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Post by herculesmulligan on Jul 14, 2024 19:42:05 GMT
Anyone know where I can collect booster seats for the kids?
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