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Post by singularsensation10 on Mar 11, 2020 16:01:14 GMT
So thrilled for Jodie Jacobs, this could be her first west end gig since WWRY if I’m not mistaken? Such an underused, overlooked performer in my opinion!
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Post by singularsensation10 on Feb 23, 2020 15:41:29 GMT
I think the above comments are valid and of course people can be offended by anything but miss the very point of the shock-humour. Anyone that has ever seen an episode of South Park will understand - and sure, the humour isn’t for everyone. But the very premise of its humour is that it is supposed to be offensive. Conversely, and thinking off the top of my head, I personally find certain parts of Six (won’t specify because of potential spoilers) FAR more offensive than BOM purely because BOM’s shock-humour is consistently distasteful and the parts of Six I am alluding to are jarringly distasteful. However the success of this show is undeniable and it still seems to be doing really well.
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Post by singularsensation10 on Feb 16, 2020 17:00:13 GMT
From images on social media, it seems “the Brilliant Original” is going on tour with a much smaller orchestra. Happy to see live strings and woodwind, but no sign of trumpets or trombones - they seem to be replaced by three keyboards. Whilst this was probably completely expected, I can’t deny that I’m growing more and more disappointed by the day. Honestly, most shows are tracked these days and the likelihood is that this will be tracked too. You won’t notice a difference really, it will still sound as full, if not fuller, than a live orchestra. It also allows the piece to sound consistent every show. I’m not confirming that it will be tracked but it would make sense and would really not surprise me. The quality of the sound is always fuller and more consistent when shows are tracked.
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Post by singularsensation10 on Nov 24, 2019 15:04:41 GMT
Very fond of this show and love that these little productions keep popping up here and there. Not a groundbreakingly incredible piece but funny with a lot of heart, and if directed with that heart at the centre it can be a lovely evening. Unfortunately I’m working abroad so can’t get to see it but would have loved to support this.
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Post by singularsensation10 on Nov 4, 2019 23:58:42 GMT
Have any Kilworth shows gone on to have a life elsewhere? Not usually given that the productions are custom made to the small, intimate venue and the staging wouldn’t translate easier to a more traditional theatre venue. Absolutely LOVE kilworth shows, two great choices for the 2020 season. Think Sixpence will work particularly well here.
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Post by singularsensation10 on Nov 4, 2019 2:35:03 GMT
An agile production of a frankly clumsy piece. Major characters disappear for much of it, but they worked miracles in that small space. There's probably a reason why it has not been seen for so long. It is honestly, little more than a star turn. And the Mame number, catchy, but dear lord what the hell is it talking about and why does Mame not contribute to it vocally? Odd piece indeed. Mame was just a carbon copy of Hello Dolly (including the title song) commissioned by producers to cash in on the success with Dolly. Jerry Herman was simply filling a brief he was given - to put a fabulous Hello Dolly-esque score on a story which was already a successful play (called Aunty Mame I believe) and to stick Lansbury in the lead. So the piece literally is little more than a star turn. It’s interesting that this is apparent even when staged professionally a considerable amount of years later.
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Post by singularsensation10 on Oct 16, 2019 20:44:54 GMT
I’m not very in tune with the comings and goings of Wicked, though I do love the show and returning next Saturday afternoon. Are the two leads scheduled to perform at every show or is there a schedule for matinees? Thanks in advance. All actors scheduled to perform all shows apart from holidays and unforeseen indisposition.
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Post by singularsensation10 on Oct 7, 2019 18:40:59 GMT
Why shouldn't they have alternates? Give two people a chance in the role and help preserve both of them (vocals and energy wise) for longer so they aren't damaging their careers long-term. It makes complete sense in more ways than one. I suppose I’m old school and energy wise 8 shows a week was/is simply expected. I agree with the limelight of role sharing like Dreamgirls! Very excited to see this! Hmmm the only male role I can think of with the same amount of vocal and emotional stamina as Evan is Jean Valjean and even JVJ has an alternate now. Also men playing JVJ are older and likely to be more experienced, Evan is a younger role so these boys are at the beginning of their careers so safer from a personal perspective but also a production perspective to offer them a lighter schedule in turn for higher quality performances.
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Post by singularsensation10 on Oct 7, 2019 18:37:32 GMT
Just noticed the new cast date (above) of 18th November. Which would mean DURING the Southampton run, the new cast coming in for the last week. Does anyone know if this is a mistake or likely to be true? (Do recall one of the Cats tours doing a major cast change in the middle of it's Wimbledon run, but that is the only other example I can think of. It made for a very fat programme as they did one for the whole run but with both casts....) Yes likely to be true to give them a stable base to rehearse with the set and costumes etc, they’re likely to rehearse during the days before the show for 1-2 weeks before opening.
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Post by singularsensation10 on Sept 21, 2019 12:38:51 GMT
Saw this tonight on a TodayTix Daily Dozen ticket. Got B37 in the circle and was really disappointed with the sound. Definitely would only go back if it was in the stalls, as I felt so far away from the action which you wouldn’t really expect from second row of the circle. I definitely felt this way the last few times I sat in the circle. Because it’s just such a vast space it must make sound design nigh on impossible!
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Post by singularsensation10 on Sept 21, 2019 12:36:20 GMT
Open dress tonight. Did anyone form here go? That's news to me, I had my Thursday seat for WWRY cancelled, and get very regular mail outs from the Churchill but no mention of an open dress rehearsal. How was it publicised ? Open should probably be renamed ‘invited’ as it usually refers to a dress run which is opened up to a few invited guests (usually friends and family of the cast) for an extra supportive atmosphere to practice in front of an audience and gauge audience response.
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Post by singularsensation10 on Aug 30, 2019 11:56:47 GMT
Any idea of when casting will be announced for this? A friend and I are planning on going, and hopefully seeing some familiar names will make it even more worth it! You won’t be seeing familiar names in the leads but can guarantee they will be worth seeing - new graduate friends of mine have been cast in this production.
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Post by singularsensation10 on Aug 9, 2019 21:38:41 GMT
Any number of people could play the narrator in this production on Broadway. Especially since the comedy is at the front of this production. Absolutely - it could be the new Broadway guest slot. Any comedienne Would Do - Melissa McCarthy, Kristen Bell, god even Miranda Sings. Wonder if Bette Midler would give it a bash? The possibilities are endless here... Stick Jimmy Fallon or James Cordon in as the Pharaoh and you’ve got some serious $$$$$$ coming in!!
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Post by singularsensation10 on Aug 9, 2019 20:11:05 GMT
Interval thoughts: Helen is a sensation. Ensemble are the best we’ve had for years, absolutely on FIRE. Nikki must’ve made a great standby, she is super safe and inoffensive - not enough for me personally but she’s a super safe choice for them. Alastair is very underwhelming, super wooden and keeps singing in an American accent? Visit number 60 for me tonight so a bit of a milestone..god I feel old!
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Post by singularsensation10 on Aug 5, 2019 12:49:18 GMT
I’m sure I heard Children of Eden was having a revival but can’t remember where or when I heard it - it’s absolutely not something I’d make up though.
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Post by singularsensation10 on Jul 28, 2019 17:19:00 GMT
I got the impression it was a kind of dream sequence?? This brief montage (an official clip) of the 2007 production shows how Go Go Go Joseph was done then (as well as clips of other bits). I was referring to the way it’s done in the new production - it has a sort of Dream sequence vibe with the coat and the dancers etc.
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Post by singularsensation10 on Jul 27, 2019 13:40:18 GMT
He's in Jail, they start singing Go Go Go Joseph and suddenly he has his supposed ripped up coat back and dancing with the ensemble in galaxy print clothes. What's going on?? I got the impression it was a kind of dream sequence??
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Post by singularsensation10 on Jul 27, 2019 7:42:15 GMT
The cast are likely to get themselves into trouble doing things like this. Unless marketing are telling them to do it.
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Post by singularsensation10 on Jul 27, 2019 7:40:20 GMT
It’s the first “no fly” show for Wicked London is 11 years ! No, that definitely isn’t the case, Rachel Tucker had at least 3, Willemijn (I’m told) had one, Jenny had one, and most recently Emma Hatton had one on the 2015/16 cast’s press night as it made it into most of the reviews! I’ve missed you and your incredible knowledge, Martello.x
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Post by singularsensation10 on Jul 26, 2019 7:17:50 GMT
It won’t be that. Students at a school like Arts Ed sing much more daily than Jac is required to at the moment. As a graduate, he will be in the best condition ever to play a role like this - he won’t have developed any bad habits. Likely to be more to do with his vocal health - how much is he going out drinking etc. Sorry I think you are quite wrong. About many things yes, about others no - could you quantify?
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Post by singularsensation10 on Jul 24, 2019 17:59:36 GMT
It won’t be that. Students at a school like Arts Ed sing much more daily than Jac is required to at the moment. As a graduate, he will be in the best condition ever to play a role like this - he won’t have developed any bad habits. Likely to be more to do with his vocal health - how much is he going out drinking etc.
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Post by singularsensation10 on Jul 20, 2019 12:18:00 GMT
I have Two tickets to Monday’s performance if anybody wants them?
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Post by singularsensation10 on Jul 16, 2019 10:07:50 GMT
Still nothing on this casting wise which does seem a little strange but don't think we can be too far off now. They had casting call backs mid June ish. Very intruiged by what this tour will be like. I do miss the show at the Dominion. They had a bit of a hiccup with casting - last I heard they were searching for an Alternate Galileo so an announcement will probably come soon after he has been found.
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Post by singularsensation10 on Jul 15, 2019 12:29:27 GMT
Bizarre. Carrie has a massive fan-following in the UK, so why not open it here? If it does well, she could still take it to Broadway, but she won't sell any tickets over there. When Sam Barks did Pretty Woman, she was at least somewhat known because of the Les Mis movie and of course Pretty Woman sold on the familiarity of the movie title, not on the names. Cinderella has been done to death so much, it will need more. I also pity all the parents of teenage Carrie fans who'll be begged to finance a trip to New York next year... Producers just won’t put up the same amount of money here as they will in New York. Even for something which seems quite reliable (an ALW show, or a production of Cinderella would be quite a reliable investment so combining the two could be very appealing to some investors).
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Post by singularsensation10 on Jul 15, 2019 12:26:11 GMT
The space is so small I can’t see the restricted view seats being an issue. The set is complicated but not massive - there are two revolves on which different parts of set roll in and out (I assume for Trevor Nunn this signifies the continuation of life and/or Francesca’s leading a double life), and the porch flies in (just once I believe..). Looks beautiful when executed properly but its quite complicated so has a lot of possibilities to go wrong. Thank you! How big is the band do you know? Not sure but they sounded exquisite.
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Post by singularsensation10 on Jul 15, 2019 7:34:26 GMT
ALW just said on good morning Britain that this is opening on Broadway next year - guess that makes sense seeing as new shows tend to get much more of a financial backing and a more extensive development process on Broadway than over here in London. No doubt it will come back here if it’s even remotely successful on Broadway.
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Post by singularsensation10 on Jul 15, 2019 7:31:59 GMT
Does anyone know what those restricted view seats are like? What is the set like? The space is so small I can’t see the restricted view seats being an issue. The set is complicated but not massive - there are two revolves on which different parts of set roll in and out (I assume for Trevor Nunn this signifies the continuation of life and/or Francesca’s leading a double life), and the porch flies in (just once I believe..). Looks beautiful when executed properly but its quite complicated so has a lot of possibilities to go wrong.
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Post by singularsensation10 on Jul 14, 2019 14:13:12 GMT
Were the vocals good enough? I was a little worried about Russell's less sopranic voice in comparison to O'Hara but Shoshana Bean performed Always Better recently and still sounded great despite her more pop-style voice which has made me a little less worried so I'd love to hear something positive to put my concerns completely to rest. It definitely wasn’t cast on vocals. It got better as it went on, probably due to the fact they finished teching act 2 the same day and probably hadn’t touched act 1 for a few days (only assuming this knowing how tech schedules work). Wasn’t overly thrilled by last nights show but hoping it will improve before my next visit. Lots and lots of line flubs and only Shanay stood out for me. Jenna is a wonderful actress but with a score like this I would argue vocals need more weight in the casting process - knowing how Trevor Nunn casts his shows (usually just come in and have a chat then maybe read a scene), the casting process wasn’t the same for this production as with other productions. I am sure as was said above the chemistry will improve over time as the actors become more comfortable and I forgave them a lot considering it was ultimately a dress run.
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Post by singularsensation10 on Jun 26, 2019 6:07:18 GMT
I think there’s a distinct difference between riffing and embellishing. Riffing for me refers to changing the melody to make it sound nice. Embellishing (again, in my eyes) refers to subtle changes influenced by character and delivery. For me, Lucie embellishes the score subtly by flipping into head voice and subtle runs - they are not huge ‘riffs’ where the melody is being altered. In my eyes, every embellishment Lucie puts in is driven by intention and story telling.
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Post by singularsensation10 on Jun 23, 2019 16:38:54 GMT
Blake was fabulous! Forgot to include that earlier.
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