Post by David J on Feb 27, 2016 22:55:45 GMT
This is good, but as an engaging epic fable about society and who deserves their rights it falls short
On the plus side this is a fast moving production. In the small, in-the-round space the cast moves around creating images and scenes with what props are on stage. In a way it follows Brecht's isolation from naturalism technique by keeping the audience on their toes with the pacing and jolting transitions.
There's a good use of striking and flashing lighting. It's interesting to see the cast use all sorts of objects to establish settings, in particular the clear use of fans to briefly (and loudly) create a snow storm. The singing from the cast is enjoyable
Still the production runs at 2 hours, with no interval. And whilst it doesn't feel like a bitesized Caucasian Chalk Circle, in comparison to the Unicorn's 2 hour 40 minute production for youngsters this could do with a couple of breathers.
An interval to start with, but also take a pause from the breakneck speed so that the audience can really soak in what's going on and the play's issues.
Perhaps the best moment was the introductory farmers scene at the beginning, where I could really take in the scene. An official coming with a high-viz jacket and hard hat on top of his suit (isn't that a familiar image) to discuss developing the farmland, whether the locals like it or not.
Otherwise the pacing doesn't even give the lead actors time to flesh out their characters. Ashley Cordery does well to show the hardships she goes through, but not enough for me to share her love for the baby. Rob Peacock should have more time to grasp the comedy behind Azdak's character
A good effort but by the end I was less engaged and more mentally exhausted.