1,266 posts
|
Post by mkb on Dec 20, 2021 17:28:12 GMT
The explanation on the national website says "Owing to Covid disruption affecting our performers and staff, all remaining performances of Manor have been cancelled." So, not cast disinclination to perform then.
|
|
1,266 posts
|
Post by mkb on Dec 20, 2021 17:32:32 GMT
I see they have announced that they are closing the whole building as of 8pm tonight until Jan 4th. Such a shame for people strolling along the south bank over Christmas who would normally pop in for a tea or a bookshop browse. And of course for the staff working there. Any businesses thinking that a self-imposed "circuit breaker" is the right thing to do -- and I don't know if that is the motivation for shutting the whole building -- are engaged in a futile exercise, unless all their staff are going to self isolate over Xmas.
|
|
1,016 posts
|
Post by andrew on Dec 20, 2021 21:17:50 GMT
I see they have announced that they are closing the whole building as of 8pm tonight until Jan 4th. Such a shame for people strolling along the south bank over Christmas who would normally pop in for a tea or a bookshop browse. And of course for the staff working there. Any businesses thinking that a self-imposed "circuit breaker" is the right thing to do -- and I don't know if that is the motivation for shutting the whole building -- are engaged in a futile exercise, unless all their staff are going to self isolate over Xmas. I think the issue is that enormous swathes of staff are either infected or living with someone who is infected, and every day that goes by it catches more and more. It becomes perilous to keep the building open if large portions of the security, maintenance and front of house staff are unavailable and become even more unavailable in an unpredictable way, so it can make business sense to cancel any shifts for casual workers and close up shop completely. There's also a staff morale element in feeling like your employer is looking after you by not making you come in for an understaffed shift whilst you see all your colleagues getting infected in a publicly facing role. So it's not necessarily futile.
|
|
1,093 posts
|
Post by samuelwhiskers on Dec 20, 2021 23:37:38 GMT
Yes, I agree with that. Keeping a huge building like the NT open is so expensive (heating, the sheer number of staff including cleaners, security, foh, and backstage staff) it’s not worth doing just for one poor selling show.
I’m sure the cast and crew are happy not to have to travel and spend every evening in a room full of people, to lessen their chance of contracting Covid and having to cancel Christmas plans.
|
|
534 posts
|
Post by jek on Dec 21, 2021 9:11:49 GMT
Completely understand the necessity of closing the building but I think it shouldn't be underestimated just how important that National Theatre front of house space is in making the theatre, more generally, accessible. I remember as a young working class woman from East London feeling very intimidated by even the idea of going to the theatre. The fact that the National had this building that you were just allowed to wander around somehow made it easier. I can still recall the excitement of going alone to see early David Hare productions and feeling it was an OK place to be. Even now in late middle age, PhD obtained some thirty years ago there are still plenty of cultural spaces that I find too scary to enter. Somewhere is a voice in my head saying that this place is for posh people and they might not let me in. I do genuinely think that there must be people who wander into the NT for a coffee and decide to give going to a performance a go, particularly if there is a name they know from the telly - in the case of Manor, Shaun Evans. As the mother of three university students I'm also very aware of the necessity of the sort of jobs in retail and hospitality that can make or break the affordability of degree study, and how the National offers these. Just more casualties of the pandemic I suppose and just utterly depressing.
|
|
|
Post by cavocado on Dec 21, 2021 9:54:12 GMT
Completely understand the necessity of closing the building but I think it shouldn't be underestimated just how important that National Theatre front of house space is in making the theatre, more generally, accessible. I remember as a young working class woman from East London feeling very intimidated by even the idea of going to the theatre. The fact that the National had this building that you were just allowed to wander around somehow made it easier. I can still recall the excitement of going alone to see early David Hare productions and feeling it was an OK place to be. Even now in late middle age, PhD obtained some thirty years ago there are still plenty of cultural spaces that I find too scary to enter. Somewhere is a voice in my head saying that this place is for posh people and they might not let me in. I do genuinely think that there must be people who wander into the NT for a coffee and decide to give going to a performance a go, particularly if there is a name they know from the telly - in the case of Manor, Shaun Evans. As the mother of three university students I'm also very aware of the necessity of the sort of jobs in retail and hospitality that can make or break the affordability of degree study, and how the National offers these. Just more casualties of the pandemic I suppose and just utterly depressing. This is a great point. My mum and dad were regular theatregoers, both from working class backgrounds. They loved the NT and Barbican for exactly that reason - they felt far more comfortable in those big, anonymous, public foyers than in theatres with small bars and foyers where they felt like outsiders who didn't know the unwritten behaviour rules.
|
|
382 posts
|
Post by stevemar on Dec 21, 2021 13:17:31 GMT
Thanks MrCrumbles and mkb for your reviews. I agree that the set was great and the 0/1 star reviews were overly harsh (see my review on page 4).
One thing - did anyone actually hear the last line which was spoken by Nancy Carroll. It was drowned out by the special effect!
I do think it is poor to cancel the show with little notice online (and no official notice). When I looked last week, I would have said about half of the stalls seats were sold (or at least off sale), so not exactly empty. However, it is probably a reasonable business decision to close and shut up shop to save money.
Unfortunately, the NT has been closed longer than many theatres, and finally seemed to have got going again during Nov/Dec (busy foyers, bars, bookshop as well as the theatres). But the costs/risk must be too high in proportion to the projected revenues over the current period.
|
|
1,266 posts
|
Post by mkb on Dec 21, 2021 15:48:59 GMT
I can't remember exactly, but I think the final line was something to the effect of "It's each man for himself."
I was a little distracted by trying to stop my programme from getting wet!
|
|