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Post by latefortheoverture on Jun 18, 2019 21:17:22 GMT
I would've said SITPWG last week, very glad to finally see it onstage. Would still love to see it at Regent's Park.
It would be nice for the National to do some more big old fashioned musicals as they did with Follies! A revival of their Carousel would be nice, but I'd love to see some more full Sondheim productions, we're on a roll just now. Preferably Into the Woods or Gypsy. Would be nice for Ms Elliot to have a go at another.
I'd still love to see The Color Purple on the WE. Interested to see if the upcoming curve production will have a further life.
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Post by Deleted on Jun 18, 2019 22:21:13 GMT
Is it too early to ask for a Guys and Dolls revival?...
I've not seen it before but would want to see a decent full-scale production however I keep missing the recent major productions (though by the sound of it, I'm glad I missed the RAH concert).
Also, with the recent news of Michael Ball returning as Edna and Adam Cooper in Singin in the Rain (another Chichester production), it has made me wish that Ball and Staunton would bring back Sweeney Todd too.
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834 posts
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Post by bordeaux on Jun 19, 2019 7:13:06 GMT
Pacific Overtures for me, please. In the Olivier directed by Dominic Cooke. I've never seen any other Frank Loesser musical than Guys and Dolls so I agree with The Most Happy Fella and How to Succeed in Business Without Really Trying.
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Post by ali973 on Jun 19, 2019 7:19:27 GMT
Kiss of the Spiderwoman.
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Post by Baemax on Jun 19, 2019 7:54:30 GMT
I also want the Open Air theatre to stage SITPWG but I guess I have to wait a good ten years or so for that to happen! This also is my dream revival. But seeing as the Savoy has bagsied it, I guess I could stand for the Open Air Theatre to do The Secret Garden instead.
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Post by Deleted on Jun 19, 2019 11:06:12 GMT
I'd love to see Martin Guerre revived. 100% agree! I did hear it was being worked on by Boublil and Schonberg (but without Cameron who said he could take it no further but wished it well) - that has also gone quiet though!
Yes, there seems to be rumours every few years that they are working on something, but it never happens. I'd happily take a version with the best bits from the London production and UK tour production. But it must have the original Overture and Working on the Land.
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Post by Deleted on Jun 19, 2019 11:12:03 GMT
100% agree! I did hear it was being worked on by Boublil and Schonberg (but without Cameron who said he could take it no further but wished it well) - that has also gone quiet though! Yes, there seems to be rumours every few years that they are working on something, but it never happens. I'd happily take a version with the best bits from the London production and UK tour production. But it must have the original Overture and Working on the Land. Oh I totally agree - the original overture and ending (Land of the Fathers) were anthemic - very odd that melody was cut completely from the tour version. Indeed, both the original and tour had better and worse elements and a best bits combo would be ideal. Sorry to have never seen either and to only know them from the recordings. Much like Chess, the fact that there has been so much tinkering over the years and the creators have never quite been happy with it makes it all the more interesting. I never saw it, but there was apparently a version 2 in the original London run with significant changes from the CD. Also very strange that they used the alternate in the cast recording (the main actress must have been livid)..... Fascinating stuff!
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Post by poster J on Jun 19, 2019 12:11:45 GMT
A transfer of the REX West Side Story would be great. And the current Broadway production of Oklahoma.
Seconded to the suggestion of a full production of Chess and a West End revival of Rent as well.
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Post by ampersand on Jun 19, 2019 13:09:13 GMT
The recent Broadway revival of Once on this Island was glorious and I'd love to see it again over here. Highly doubt it would actually happen, however.
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Post by Someone in a tree on Jun 19, 2019 13:24:23 GMT
The recent Broadway revival of Once on this Island was glorious and I'd love to see it again over here. Highly doubt it would actually happen, however. There is always Madame kiddy-Winks production at Southwark
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Post by danb on Jun 19, 2019 13:49:07 GMT
Yes, there seems to be rumours every few years that they are working on something, but it never happens. I'd happily take a version with the best bits from the London production and UK tour production. But it must have the original Overture and Working on the Land. Oh I totally agree - the original overture and ending (Land of the Fathers) were anthemic - very odd that melody was cut completely from the tour version. Indeed, both the original and tour had better and worse elements and a best bits combo would be ideal. Sorry to have never seen either and to only know them from the recordings. Much like Chess, the fact that there has been so much tinkering over the years and the creators have never quite been happy with it makes it all the more interesting. I never saw it, but there was apparently a version 2 in the original London run with significant changes from the CD. Also very strange that they used the alternate in the cast recording (the main actress must have been livid)..... Fascinating stuff! Rebecca Lock was a million times better than Juliette Caton vocally, so it made sense to record her. The version we were left with by the time it left the Prince Edward is what I remember fondly, but the ‘tour’ did add the lovely ‘Live With Someone You Love’. Also, setting fire to the Proscenium was quite effective too. In short, amalgamate the two and sort the book out.
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Post by oxfordsimon on Jun 19, 2019 17:29:40 GMT
I saw one of the first ever Martin Guerre performances when it opened and I thoroughly enjoyed the music. There is always going to be a lack of tension in the plot because you can't hide from the fact that the key reveal is not a surprise to the audience. That is something that is just integral to the story and I don't see an easy way round it in terms of rewriting/restructuring the book.
On the whole, I do prefer the first version of the score to the further revisions. There are perhaps a couple of newer numbers that are worth retaining - but I would base things on the original - very much so in the case of Bethlehem - which is wonderful as originally conceived but less effective with the revised lyrics.
I do remember seeing a young James Corden in the original cast - one of those faces you don't forget.
Perhaps they need to do what they did with Chess for many years and that is make it available to amateurs with all the available material and allow them to shape it to suit what they want to do with their own particular production.
There is so much good music (a lot more compared to The Pirate Queen) that it is a shame for it not to be heard in some form.
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Post by Dawnstar on Jun 19, 2019 18:01:10 GMT
Zorro. Yes, I probably am the only person who wants this.
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Post by xanady on Jun 19, 2019 18:09:36 GMT
Definitely the original Les Mis,the day after it closes next month...has to be!
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Post by digipal on Jun 19, 2019 18:41:05 GMT
Another vote for a full revival of Starlight Express with all the bells and whistles
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Post by shady23 on Jun 19, 2019 19:36:20 GMT
I'd like to see the Guys and Dolls Paris production come over to London.
Also, is it too early to ask for the return of 42nd Street?!
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716 posts
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Post by indis on Jun 19, 2019 19:43:52 GMT
Lord of the Rings, REnt and Miss Saigon for me please
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Post by musicallady on Jun 19, 2019 20:30:10 GMT
Showing my age “The Desert Song.”
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Post by Cardinal Pirelli on Jun 19, 2019 21:04:28 GMT
The one that stands out is Kiss of the Spiderwoman. More than twenty five years ago.
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Post by juicy_but_terribly_drab on Jun 19, 2019 23:11:24 GMT
Wouldn't mind a proper massive revival of Ragtime in like the Olivier or a big open space like that.
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Post by latefortheoverture on Jun 19, 2019 23:45:13 GMT
Wouldn't mind a proper massive revival of Ragtime in like the Olivier or a big open space like that. Yes, a big massive revival of it, please. This is one I've always longed to see a great production of!
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Post by Phantom of London on Jun 20, 2019 1:52:01 GMT
Starlight Express was meant to happen this year, in a tent somewhere, the role of Pearl had been cast.
Matin Guerre could be the ENO musical next year, Cameron Mackintosh hinted whilst covering Elaine Paige.
Love to see Beauty and the Beast again, Rent is always great, someone mentioned Song and Dance, which I am surprised that Chichester Festival hasn’t done this, the Sussex crowd would go for this. Love to see Whistle Down the Wind again.
Also Parade.
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Post by chernjam on Jun 20, 2019 4:20:32 GMT
A real revival of Aspects of Love. The recent one's with the super "scaled down" (i.e. Cheap) productions and worse yet, orchestrations don't count for me.
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Post by juicy_but_terribly_drab on Jun 20, 2019 11:38:11 GMT
I think it would work in a fringe studio, but I don't think it would stand up in a large house at all. It really isn't strong enough in its book, I think. The motivations are fine if kept small, but don't expand to fill the house. Wouldn't mind a proper massive revival of Ragtime in like the Olivier or a big open space like that It was awful at Regent's Park Open Air, but that may just have been the casting and direction. Works best in a small environment, too, I think - see Spider. I didn't realise the Open Air Theatre had done it because that was a space I had in mind when suggesting it haha. Shame it wasn't good but the Broadway cast recording is so gorgeous that I'd love to see a proper revival on that scale.
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Post by Deleted on Aug 4, 2019 21:18:04 GMT
Was watching the film of Chitty Chitty Bang Bang yesterday and thought (as crazy as it may sound) the Watermill in Newbury could be a BRILLIANT place to do it at given the rural countryside surrounding it has like the Potts family home. Of course easier said than done, but I hope there's a creative director and design team that could make it work - the Watermill did Oliver! a few years ago so surely it's not too far off that in terms of casting (though of course that didn't have a flying car).
...Either that or Regents Park could work!
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Post by Stephen on Aug 4, 2019 21:34:11 GMT
Fully staged Sunset Boulevard.
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Post by danb on Aug 4, 2019 21:34:54 GMT
A ginormous restaging of ‘Tommy’, a small home for Bruce Guthries ‘Rent’ revival and ‘Martin Guerre’ at the ENO sounds like a magnificent idea.
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Post by theatreian on Aug 4, 2019 21:54:40 GMT
Martin Guerre’ at the ENO sounds like a magnificent idea. Martin Guerre was going to be my suggestion. Love the score.
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Post by ukpuppetboy on Aug 5, 2019 0:53:49 GMT
I think it would work in a fringe studio, but I don't think it would stand up in a large house at all. It really isn't strong enough in its book, I think. The motivations are fine if kept small, but don't expand to fill the house. It was awful at Regent's Park Open Air, but that may just have been the casting and direction. Works best in a small environment, too, I think - see Spider. I didn't realise the Open Air Theatre had done it because that was a space I had in mind when suggesting it haha. Shame it wasn't good but the Broadway cast recording is so gorgeous that I'd love to see a proper revival on that scale. I’ve seen Ragtime twice; Once at the Ford Centre in Toronto (pre Broadway), and once at the Open Air, Regents Park. Total polar opposite productions in terms of scope and success. Whatever they were going for at the OAT with it’s modern set and odd staging choices was a total misfire - and one that I couldn’t forget fast enough. Marin Mazzie & Audra McDonald gave powerhouse performances that filled that vast Toronto stage. There was nothing at Regents Park that made it over the footlights. SO yes. While I’d love to see a revival I’d hope that it would be on a scale befitting this book and that score which, to-date, London has never seen. Totally disagree with you @theatremonkey about the book to Kiss of The SpiderWoman. I assume you saw the Hal Prince production at The Shaftesbury? I went god knows how many times - mostly in the Grand Circle. I thought it filled that pretty large theatre totally (surprising considering probably 70% of it revolves around a prison cell) and has a very strong book. Well maybe less so in the last 20 minutes, but still. And a small scale production was never going to cast Chita and Bebe who were both electric.
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Post by ukpuppetboy on Aug 5, 2019 1:22:34 GMT
Childen of Eden, Moby Dick and Baker's Wife also (never gonna happen lol). I would dearly love to see that Piccadilly Theatre production of Moby Dick back in London EXACTLY as it was on it’s last night (which I happened to catch purely by chance on a recommendation). SUCH a fun, unpretentious, riotous night of theatre/panto with a great young cast and some wonderfully creative staging and design. Not sure any of the changes they’ve subsequently made do anything to improve the show. In fact the reverse. The original London Children of Eden directed by John Caird is something I really wished I had seen and it is the only version I listen to. A cast of future West End stars and another legendary Napier set. I’d definitely be up for this revival.
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