Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 19, 2017 14:20:08 GMT
TodayTix is doing rush seats for £20 (or £10 if you use a referral code like SEZCE ) Available from 10am each day
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540 posts
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Post by freckles on Jan 19, 2017 14:25:29 GMT
If there's any cheap(ish) seats left, might go and see this tomorrow night - what is the running time? About 2 hours 10 mins including the interval.
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Post by d'James on Jan 19, 2017 14:39:03 GMT
TodayTix is doing rush seats for £20 (or £10 if you use a referral code like SEZCE ) Available from 10am each day ORWWY to you!! It says you have to unlock the Rush tickets. Do you know if that'll have to be done everyday? I don't want to annoy my friends on Facebook. Also, what exactly are Rush tickets?
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 19, 2017 14:45:44 GMT
You just do it once then have access every day (i tweeted then deleted the tweet ) Rush seats in this case just means the same as day seats as far as I can see. Looked yesterday and today, both times got offered stalls for £20 several hours after the rush seats were made available
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Post by d'James on Jan 19, 2017 14:49:52 GMT
Great thanks, so there's no element of luck, like a lottery? Anyone have any idea what time they go on sale?
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 19, 2017 14:52:07 GMT
No, it's first come first served, not a lottery. And you find out the seat number before booking. Yesterday was offered row C, today further back, so not specific seats on offer.
They go on sale at 10:00 - once you unlock access to them todaytix will send you a notification each day.
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Post by d'James on Jan 19, 2017 14:53:01 GMT
Great. Thanks, yeah, just unlocked them and saw the 10 am thing. Thanks again.
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Post by Deleted on Jan 19, 2017 16:27:31 GMT
The set looks beautiful judging by those photos!
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9 posts
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Post by daroca on Jan 20, 2017 12:04:13 GMT
I saw this yesterday and really enjoyed it, I'm quite a fan of Thom Southerland work.
I was sat in row M (3rd row in the second block), a little further back than I normally sit at the Charing Cross Theatre, as I normally aim for the first block, but it was a great view and I would recommend it.
The creative crew where in, as was Maury Yeston who appeared to really love this production, he was chatting to Thom in the interval.
The theatre was maybe a little over half full. (not bad for a preview)
I agree with the previous comments about the constant moving of the set, but it does allow a seamless production, at least the wheels don't squeak. I have to add the lighting is beautiful and really enhance the set design.
Really like the whole cast, Zoë Doano and Chris Peluso stood out, as I expected. I also liked James Gant playing Fidele, this role adds some humour to the action, I'm not sure how he will be when he plays Prince Sirki once Chris Peluso leaves to be in Funny Girl.
Dean Austin (MD) also should get praise for making the orchestra sound so lush. (the band is made of up 10)
I think it will get a 4 or 5 * from the reviewers, some may not like it as it is slightly quirky, the two acts flew by for me.
Go see it, specially whist Chris Peluso is in the lead role.
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258 posts
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Post by notmymuse on Jan 20, 2017 13:27:47 GMT
Thanks for the reviews! Seeing it in a week so I'm excited now. I like Yeston's scores usually, his "Phantom" is well worth a listen, even if the voices on the recording aren't to my taste. His music tends to be quite lush but I prefer the Phantom score to Titanic, shame Phantom had such a short run in London a few years back (I can't even remember where I saw it - some upstairs pub theatre?). And I'm a fan of Thom too, so should be fun.
I went to see Umbrellas of Cherbourg a few years back, and the terrible moment happened when you're in an old theatre with a bad rake and someone really tall comes to sit down in front of you who you know will block your view. So I was predictably annoyed. When he sat down, he also had a giant head it transpired, which made matters work. And then he turned around and it was Thom! I went though about a year of seeing him almost everywhere I went.
I forgave him for having a huge head and being tall as he's directed some lovely stuff. His Carousel was beautiful, as was State Fair and many others. Can't wait for next week.
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Post by Deleted on Jan 21, 2017 11:42:31 GMT
I saw this last night, and overall I have to say it was disappointing. The premise of the show sounded promising - however it failed to live up to my expectations, personally. I thought that the story really wasn't very strong, and had been fleshed out to fit into a two and half hour show which didn't seem to go anywhere. Characters appeared on stage, to sing unnecessary numbers and then left again, some songs just lacked all purpose and felt too long, in my opinion.
None of the characters seemed to develop, therefore losing any connection to me as an audience member. Grazia's choice at the end of the show seemed far too implausible for my liking and whilst I know that this is not a naturalistic piece (how often does the Grim Reaper become an imposter?) the main arc didn't bother me, but I felt that her fickle nature was extremely unattractive and unbelievable.
I found myself frequently checking my watch which I haven't felt before in a show in a long time, but perhaps because I was tired it's impacted upon my opinion of the show.
Ultimately for me, here the book was terrible and the score rather bland in parts, which together made this one of the least enjoyable visits to the theatre I have had in a long time.
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 21, 2017 11:43:27 GMT
Evenings, and not press night. Rush - American for "day seats." The Rush seats are available for matinees too
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3,057 posts
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Post by ali973 on Jan 21, 2017 11:48:16 GMT
I always thought that the plot sounded very Meet Joe Black, the 90s blockbuster with Brad Pitt and Anthony Hopkins.
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540 posts
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Post by freckles on Jan 21, 2017 11:51:28 GMT
I always thought that the plot sounded very Meet Joe Black, the 90s blockbuster with Brad Pitt and Anthony Hopkins. It kind of is. The musical is based on a play/black & white film from the 30s. Meet Joe Black was based on the same source material.
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5,267 posts
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Post by mrbarnaby on Jan 21, 2017 17:11:52 GMT
I do love it when people note that the 'creative team' were in. I'm amazed.. I'd have thought they'd be out having a meal together somewhere ?? I saw this yesterday and really enjoyed it, I'm quite a fan of Thom Southerland work. I was sat in row M (3rd row in the second block), a little further back than I normally sit at the Charing Cross Theatre, as I normally aim for the first block, but it was a great view and I would recommend it. The creative crew where in, as was Maury Yeston who appeared to really love this production, he was chatting to Thom in the interval. The theatre was maybe a little over half full. (not bad for a preview) I agree with the previous comments about the constant moving of the set, but it does allow a seamless production, at least the wheels don't squeak. I have to add the lighting is beautiful and really enhance the set design. Really like the whole cast, Zoë Doano and Chris Peluso stood out, as I expected. I also liked James Gant playing Fidele, this role adds some humour to the action, I'm not sure how he will be when he plays Prince Sirki once Chris Peluso leaves to be in Funny Girl. Dean Austin (MD) also should get praise for making the orchestra sound so lush. (the band is made of up 10) I think it will get a 4 or 5 * from the reviewers, some may not like it as it is slightly quirky, the two acts flew by for me. Go see it, specially whist Chris Peluso is in the lead role.
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1,103 posts
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Post by mallardo on Jan 21, 2017 18:14:24 GMT
Maury Yeston was there again this afternoon hanging out in the lobby waiting for friends so I took the opportunity to tell him how much I loved all his shows and had a nice little conversation with him. The fact that he was so friendly and charming will, of course, not be reflected in my review of Death Takes A Holiday (Yeah, right).
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2,805 posts
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Post by couldileaveyou on Jan 21, 2017 18:43:16 GMT
I always thought that the plot sounded very Meet Joe Black, the 90s blockbuster with Brad Pitt and Anthony Hopkins. That's because they're based on the same play
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76 posts
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Post by finalperformance on Jan 21, 2017 20:22:20 GMT
I saw this musical twice off broadway and Julian Ovenden was terrific. Hope it does well at Charing Cross Theatre.
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 22, 2017 8:31:32 GMT
Maury Yeston was there again this afternoon hanging out in the lobby waiting for friends so I took the opportunity to tell him how much I loved all his shows and had a nice little conversation with him. The fact that he was so friendly and charming will, of course, not be reflected in my review of Death Takes A Holiday (Yeah, right). I was there this afternoon too - I may have seen you taking to Maury on my way out! Very much enjoyed it. Clearly an odd premise but once you go along with the central idea it works really well. First visit to the Charing Cross Theatre, a great space! Hope they continue in the same vein rather than returning to the days of "Dusty" etc. Used the TodayTix rush deal - seats were in row R. Small theatre with a good rake so the view was excellent. Bargain for £10 (I had £10 thanks to someone using my £10 off referral code SEZCE )
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1,103 posts
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Post by mallardo on Jan 22, 2017 9:53:01 GMT
Xanderl, it was after the show upstairs in that space by the entrance to the bar. I hope I didn't appear to be gushing too much!
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Jan 22, 2017 11:25:49 GMT
Yes, I think it must have been you I saw then! You didn't seem too gushing and Maury didn't look too scared
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240 posts
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Post by Anniek on Jan 23, 2017 12:11:04 GMT
Maury Yeston was there again this afternoon hanging out in the lobby waiting for friends so I took the opportunity to tell him how much I loved all his shows and had a nice little conversation with him. The fact that he was so friendly and charming will, of course, not be reflected in my review of Death Takes A Holiday (Yeah, right). I was there this afternoon too - I may have seen you taking to Maury on my way out! Very much enjoyed it. Clearly an odd premise but once you go along with the central idea it works really well. First visit to the Charing Cross Theatre, a great space! Hope they continue in the same vein rather than returning to the days of "Dusty" etc. Used the TodayTix rush deal - seats were in row R. Small theatre with a good rake so the view was excellent. Bargain for £10 (I had £10 thanks to someone using my £10 off referral code SEZCE ) No way! I had a little chat with him as well haha! Where were your badges? too bad I only just found out youre TheatreBoard members
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540 posts
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Post by freckles on Jan 23, 2017 17:53:19 GMT
Yes, I think it must have been you I saw then! You didn't seem too gushing and Maury didn't look too scared To be fair, I think Maury always looks a bit scared. Sweet man.
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1,103 posts
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Post by mallardo on Jan 24, 2017 12:18:14 GMT
Was at press night yesterday. This is sort of "Aspects of Death" to look at. An interesting idea, with some really strong moments and some really weak dialogue. As it's likely to be the only chance to see it, I'd try, if you think you are any sort of musical theatre aficionado.
I wouldn't disagree with that, TM, but I have to say the production was very strong, about as good as this show will ever get, and the two leads - Chris Peluso and Zoe Doano - were AMAZING! In fact the entire cast was great. I would totally recommend seeing it.
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240 posts
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Post by Anniek on Jan 26, 2017 15:53:56 GMT
I loved it. And also, I love James, and i'm so curious how he will be as Sirki. Chris did a great job in my opinion, and as imo the two of them are so different, I can't wait to see the difference.
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Post by Deleted on Jan 27, 2017 23:02:22 GMT
Well. For those who love a bit of chair action in their musicals, you're in for a treat.
I rather enjoyed it. Couldn't hum you a tune from it although when I do think about it, for some reason I start going into 'Til I Hear You Sing' from 'Love Never Dies'. Anyhoo, it's all rather romantic and a bit sprightlier than I thought it would be, there's a touch of humour in amongst it all, mainly courtesy of James Gant as Fidele. Some nice frocks and a terrific cast though. Zoe Doano is just lovely - a terrific looker and a lovely singer, I hope she gets a few more leading roles but it's all about The Peluso. Smashing to look at and nicely played, he manages to convey that he's not quite of this world rather well, but that voice. Oh my. It's like having a gigantic Galaxy bar melted all over you. When he belts out or hits the high notes, it's like the gift that keeps giving but he's also as soft as cashmere. I'll even forgive the hideously long trousers in his first costume.
Also nice to see Trudi Camilleri back after her sterling efforts in 'Ragtime'. She has got just the tiniest feet.
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1,103 posts
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Post by mallardo on Jan 28, 2017 2:10:39 GMT
Ryan, you're so right about Chris Peluso and the not-of-this-world thing. He plays it perfectly, utterly convincing, and it's because of that that we buy into the concept. He makes the whole show work. I'll second you on his voice too - Wow!!
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258 posts
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Post by notmymuse on Jan 28, 2017 21:52:20 GMT
Saw the matinee today. Loved it. The score is more like Phantom and less like Titanic and must be the most lush score in London. Lovely song after lovely song. Music to get lost in.
And Chris Peluso. Wow. Utterly believable and what a voice. Someone cast him in something else, quick, before he goes back to the states!
It wasn't perfect and there were a few week moments (and the end was a bit sudden!) but it was such a nice couple of hours. If I was an actor, is just love to be in this and singing these songs...
I was also really happy to see the Charing Cross nearly full! It's usually not even half capacity when I'm there so I'm pleased this new model seems to be working.
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15 posts
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Post by musicman on Jan 28, 2017 22:20:54 GMT
Was also at the matinee today. I really loved this, thought the staging and cast was perfect, just ignore the slightly clunky plot. Must also give Chris Peluso a mention. He really is something special, the tone of his voice is fantastic, and I really want to hear some more. Anyone know of any CD!s or OST's he has sung on?
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426 posts
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Post by alison on Jan 28, 2017 22:29:44 GMT
Saw the matinee today. Loved it. The score is more like Phantom and less like Titanic and must be the most lush score in London. Lovely song after lovely song. Music to get lost in. And Chris Peluso. Wow. Utterly believable and what a voice. Someone cast him in something else, quick, before he goes back to the states!It wasn't perfect and there were a few week moments (and the end was a bit sudden!) but it was such a nice couple of hours. If I was an actor, is just love to be in this and singing these songs... I was also really happy to see the Charing Cross nearly full! It's usually not even half capacity when I'm there so I'm pleased this new model seems to be working. They have, he's doing the Funny Girl tour. That's why he's leaving DTAH early. I have to agree with the comments on him though, he plays the otherworldly thing perfectly, and what a voice. I could happily listen to him sing I Thought That I Could Live all day.
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