1,008 posts
|
Post by talkstageytome on Apr 25, 2016 13:40:20 GMT
Jamal Andreas! Yes he was fabulous. HILARIOUS as Nikos!
|
|
22 posts
|
Post by tommygnosis on Apr 25, 2016 13:59:00 GMT
Misc:Someone should really tell Vivienne that "to thine own self be true" was actually written by Nigel Bottom, and not William Shakespeare. That line is spoken by Polonius in Hamlet which was definitely written by Shakespeare
|
|
1,008 posts
|
Post by talkstageytome on Apr 25, 2016 14:06:53 GMT
Misc:Someone should really tell Vivienne that "to thine own self be true" was actually written by Nigel Bottom, and not William Shakespeare. That line is spoken by Polonius in Hamlet which was definitely written by Shakespeare I think that was a Something Rotten joke!
|
|
4,369 posts
|
Post by Michael on Apr 25, 2016 14:29:14 GMT
That line is spoken by Polonius in Hamlet which was definitely written by Shakespeare I think that was a Something Rotten joke! Something Rotten? Never heard of this before. No, the poem was originally written by Nigel Bottom, but his stupid brother Nick didn't see what a great poem it was (I mean it's beautiful - it's like good line AND good advice) so he forced Nigel into writing a Musical about Omelettes (what a stupid idea). Unfortunately, when the show flopped, the Bottom brothers were sent to America, so William Shakespeare (who had sneaked into the brothers' group(e)) stole that poem and became unjustifiably famous for it. Heck, he even derived his tragedy's name Hamlet from the Bottom brother's Omelette (see the similarity? I bet he made that prince Danish just because of the pastry too). (just be be entirely clear: of course it was a joke and talkstageytome is completely right)
|
|
22 posts
|
Post by tommygnosis on Apr 25, 2016 14:33:29 GMT
Funny joke but for those of us who don't listen to soundtracks of shows they haven't seen it kinda missing the mark
|
|
4,369 posts
|
Post by Michael on Apr 25, 2016 14:35:28 GMT
Funny joke but for those of us who don't listen to soundtracks of shows they haven't seen it kinda missing the mark *ahem* But where else should I post an in-joke if not here?
|
|
|
Post by Deleted on Apr 27, 2016 22:51:07 GMT
I'm so glad the rights keep the original show rather than the re-vamp. I just came from an amateur production in Bedford which was amazing! The two dogs had a life of their own though... the little one was terrified and the other one ran about the stage like her was the star! but brilliant to see a production with There, Right There and the show itself as it was. Also interesting to see they made Kat, the intelligent Delta Nu more of a major role. She was much more prominent than before, every scene with the three girls were changed to include her too!
|
|
|
Post by Deleted on May 2, 2016 9:53:14 GMT
Can so,embody please explain to me about the set. Seeing production shots, there seems to be 2 wagons and a lift. The scene in the salon seems abit bare across the whole stage whereas it fitted quite nicely in London. Does it look abit silly in a huge neon pink box with a triangle at the top?! And also how do all those balloons appear across the stage, are they brought on by cast?
Does anybody think this set is better than the original one?
|
|
1,008 posts
|
Post by talkstageytome on May 2, 2016 10:38:55 GMT
Can so,embody please explain to me about the set. Seeing production shots, there seems to be 2 wagons and a lift. The scene in the salon seems abit bare across the whole stage whereas it fitted quite nicely in London. Does it look abit silly in a huge neon pink box with a triangle at the top?! And also how do all those balloons appear across the stage, are they brought on by cast? Does anybody think this set is better than the original one? Set is quite minimal, with the majority of it being suggestive (e.g. a door, chairs, a desk etc.) but for me this wasn't distracting. The lift bought on the dressing room for OMIGOD and Take It Like a Man, and was also used as an entrance by cast members, most notably the Greek Chorus in Positive. The rest of the set is wheeled on from either side of the stage (so chairs, tables, benches etc.) The screen is used to project images representative of set, and also shows Brooke's exercise video. It's not really noticeable or distracting in most scenes, and didn't look silly at all. Balloons were brought on by members of the cast for Whitney's party, and remained there during Chip On My Shoulder (acknowledged by Emmett in Elle's room on the 'hello Kitty' line.) until the 'go back to school with a big chip on your shoulder' line, when they were taken off by cast members. Definitely more minimalistic that the West End one (probably down to budget), but this wasn't detrimental to the overall production. Not for me, at least.
|
|
|
Post by Deleted on May 2, 2016 11:37:32 GMT
Can so,embody please explain to me about the set. Seeing production shots, there seems to be 2 wagons and a lift. The scene in the salon seems abit bare across the whole stage whereas it fitted quite nicely in London. Does it look abit silly in a huge neon pink box with a triangle at the top?! And also how do all those balloons appear across the stage, are they brought on by cast? Does anybody think this set is better than the original one? Set is quite minimal, with the majority of it being suggestive (e.g. a door, chairs, a desk etc.) but for me this wasn't distracting. The lift bought on the dressing room for OMIGOD and Take It Like a Man, and was also used as an entrance by cast members, most notably the Greek Chorus in Positive. The rest of the set is wheeled on from either side of the stage (so chairs, tables, benches etc.) The screen is used to project images representative of set, and also shows Brooke's exercise video. It's not really noticeable or distracting in most scenes, and didn't look silly at all. Balloons were brought on by members of the cast for Whitney's party, and remained there during Chip On My Shoulder (acknowledged by Emmett in Elle's room on the 'hello Kitty' line.) until the 'go back to school with a big chip on your shoulder' line, when they were taken off by cast members. Definitely more minimalistic that the West End one (probably down to budget), but this wasn't detrimental to the overall production. Not for me, at least. Great thank you so much for that very detailed explanation! It is most helpful! It seems quite quirky which is nice. If the production does tour, which I hope it will, then maybe the set would be maximised abit? E.g. More set for the Harvard scenes or Salon scene. Do you mind me asking what was included in the Brooke video? It sounds like a great idea!
|
|
1,008 posts
|
Post by talkstageytome on May 2, 2016 13:02:17 GMT
Sure. It was a cheesy film of Brooke doing exercise while big bubble title things flashed up with '£19.99' etc at the appropriate times, while on stage Brooke and 4 male dancers did the skipping choreography. It was really cheesy and perfect for the show! Quite funny!
|
|
|
Post by Deleted on May 3, 2016 19:55:12 GMT
Sure. It was a cheesy film of Brooke doing exercise while big bubble title things flashed up with '£19.99' etc at the appropriate times, while on stage Brooke and 4 male dancers did the skipping choreography. It was really cheesy and perfect for the show! Quite funny! That sounds pretty cool actually! Was the video singing or was Brooke on stage singing live? Also, how did they do the jail set? Was it just like bars being brought on by cast or nothing like that? Thanks
|
|
1,008 posts
|
Post by talkstageytome on May 3, 2016 20:06:36 GMT
Sure. It was a cheesy film of Brooke doing exercise while big bubble title things flashed up with '£19.99' etc at the appropriate times, while on stage Brooke and 4 male dancers did the skipping choreography. It was really cheesy and perfect for the show! Quite funny! That sounds pretty cool actually! Was the video singing or was Brooke on stage singing live? Also, how did they do the jail set? Was it just like bars being brought on by cast or nothing like that? Thanks She sang on stage. The jail was represented by the door frames with bars in them, and blue lighting to get rid of all the pink. From what I can remember at least!
|
|
|
Post by Deleted on May 4, 2016 16:57:22 GMT
Who do you guys think has been the best Paulette from the UK productions? The London ones all seem amazing from what I've heard, I loved Denise Van Outen!
Also, what about the UK tour? There was loads of them! Liz, Claire, Jennifer, Nikki... Who was the best?
|
|
4,369 posts
|
Post by Michael on May 4, 2016 18:18:58 GMT
Who do you guys think has been the best Paulette from the UK productions? Jodie Jacobs. By a mile.
|
|
1,008 posts
|
Post by talkstageytome on May 4, 2016 18:24:30 GMT
I noticed that Keisha Atwell tweeted that she was joining the cast. Does this mean that someone has left? I haven't seen an official announcement and the show is only running for another week or so here...
|
|
4,369 posts
|
Post by Michael on May 4, 2016 18:43:58 GMT
I noticed that Keisha Atwell tweeted that she was joining the cast. Does this mean that someone has left? I haven't seen an official announcement and the show is only running for another week or so here... Has Serena ever been back? Maybe she's going to replace Cristina Hoey. Aren't they on a roadtrip (roadtrip!) to Seoul after the run in Leicester? So I think it does make sense to get a new Serena if Cristina had to pull out.
|
|
1,008 posts
|
Post by talkstageytome on May 4, 2016 18:50:48 GMT
Ooh perhaps. That's what I thought initially, but as both times I saw the show without Serena it seemed to work perfectly (with Margot and Pilar sharing the lines) I just presumed they would keep it that way. Exciting if so. I'd have liked to see the show with all 3 Delta Nus, but I'm back at uni now, and too far away to make the trip (affordably).
Actually I just remembered that in a recent interview Jon Robyns said that not all the cast members would be going to Seoul, so she could be taking over any number of characters? But I think a Delta Nu seems most likely!
|
|
107 posts
|
Post by littleflyer on May 4, 2016 21:57:54 GMT
Best Paulette would have to be either Jill Halfpenny or Sorelle Marsh (westend First Cover)
|
|
|
Post by Deleted on May 5, 2016 19:21:04 GMT
I realised the Leicester cast is really smaller compared to the London/Tour cast. Is this noticeable? Lots of roles must be dog Lee up and ensembles smaller?
|
|
716 posts
|
Post by theatre-turtle on May 5, 2016 20:18:55 GMT
Has this been posted before?
|
|
716 posts
|
Post by theatre-turtle on May 5, 2016 20:22:35 GMT
Also this one
|
|
372 posts
|
Post by hitmewithurbethshot on May 5, 2016 21:04:09 GMT
Has this been posted before? Well that was certainly an experience Highlights: The giant museum gift shop pencil Bruiser played by one of the girls running offstage and making dog noises Elle's wig bearing an uncanny resemblence to tagliatelle Elle being nearly a foot taller than her sorority sisters The shop workers wearing lab coats The fact that all this is excusable for a standard school production but going by the advert at the end this is a show put on by a performing arts school
|
|
229 posts
|
Post by wicked on May 5, 2016 21:29:39 GMT
I know this is mean to say because they're young and I'm sure they're trying their best but ohmygod I can't stop laughing
the person running off to make dog noises ahhahahaha
|
|
107 posts
|
Post by littleflyer on May 5, 2016 22:21:09 GMT
I have seen that before and it's all kinds of cringe! At everything!
|
|
688 posts
|
Post by sophie92 on May 9, 2016 21:33:22 GMT
I've just seen on the Curve website that they have got a new Serena now - Sophie Camble. It seems like she's been doing it since the end of April at least.
|
|
1,718 posts
|
Post by stevejohnson678 on May 14, 2016 22:07:45 GMT
OMG you guys, this was fantastic!
Lucie Jones was a revelation as Elle. Stunning vocals, great comic timing, and a very endearing performance - quite quirky and almost goofy at times. The best Elle I've seen.
Phoebe Street stole the show in the recent tour of Calamity Jane and I loved her as Vivienne here. Chills aplenty at her intro to Legally Blonde Remix - what a voice! I thought she played the character's manipulative ways a little more for laughs compared to previous takes on the role. The rapport between her and Lucie Jones certainly added to their sparring scenes.
Great work too from the multi-roling Rebecca Jayne-Davies and Jamal Andreas, while Jon Robyns made an utterly charming Emmett. Francesca Hoffman's energy and sass meant Margot was the standout of the Delta Nu girls.
The only disappointment for me came from Paulette. Natalie Casey was perfect for that role so there's no doubt that Tupele Dorgu had a tough act to follow. However, while Tupele has a surprisingly decent voice, she fails to invest her character with any heart or warmth. There's a complete absence of any subtlety from her performance too.
The set is fairly sparse and minimal but it's functional and Nick Winston's choreography, as always, does a great job in filling the stage.
Overall then, snaps for Curve, they did a great job with this. I wonder what the South Koreans will make of it!
|
|
588 posts
|
Post by AddisonMizner on May 15, 2016 10:14:24 GMT
Saw LEGALLY BLONDE at the Curve last night. Yes, it is not the best thing that I have ever seen, but I actually really enjoyed it. Great fun! The set was really ugly though! It looked like a giant pink spaceship! It was also rather sparse a lot of the time.
|
|
462 posts
|
Post by djdan14 on May 15, 2016 10:39:52 GMT
Saw this yesterday afternoon and you can't fail to leave the theatre on a high afterwards. Having seen the original production it hasn't lost anything and was interesting to see a different take on the set etc. The energy was great, especially from the front row. Hoping it finds its way back from Korea and out on tour!
|
|
|
Post by Deleted on May 28, 2016 14:39:25 GMT
Just looking at the cast list on the curve website. Noticed how they doubled up LOADS of roles, probably due to budget, but I think this is a great idea! Noticed someone who plays Harrison/District Attorney Riley. Who are these characters? Is the Attorney the prosecutor in the Court scene?
|
|